Category Archives: Oscars

The Best Films I Saw in 2022

It’s Oscars weekend! Who’s jazzed up? (Also, are the hip kids still saying “jazzed up”? Or “hip kids”? Let me check my TikToks.) Anyway, I saw 50 movies in 2022, or 1 every 7.3 days. Exactly zero of those movies was in a theater; I think that’s a first. Lame. However, I’ve never been a big theater-goer; this reminds me of a story…(fadeout with flashback music)

When I was 17 years old, I had a hot night planned with a girl who for some strange reason was into me. (It might have been my devastating good looks.) After a week of what we used to call “dating,” I asked if she wanted to see a movie on a Friday. “Yes! What time are you picking me up?” she asked. “Um, I was wondering if you could swing by my house,” I said. Because I was the youngest of four kids and a few of my older siblings were living at home at the time, I rarely had access to either of the family sedans. “Ohhh-kayyy,” was her hesitant response. “How about dinner before?” she asked. “Sure!” I said; “I can’t afford to take you anywhere, so what is your mom making tonight?”

We started the night (after she picked me up and drove me back to her house) with a spaghetti dinner with her mom, dad, and little sister. And now I’m about to age myself: Off we went to see the new  Tom Hanks movie, “The ‘Burbs” (1989). The trailer looked funny, and Hanks was in his wacky-comedic phase (closer to “Bosom Buddies” than to “Castaway”). If you don’t know “The ‘Burbs,” it’s a black comedy. Which is my least favorite kind of comedy. Usually it means there’s going to be death, gore, a mean-spirited tone, and a real lack of setting the romantic mood in a darkened theater, if you know what I mean.

I should mention that at that point in my life, I barely knew what I meant. I had hardly dated, and I spent most of the film in my own head, thinking about how our evening was going: Do I reach out for her hand? Put my arm around her? Get more popcorn? When does the kissing begin?!? Or do I just sit here like a mannequin? I went with that last option. Not to spoil the movie, but we left in a daze at what we had just seen. As we got into the car (“Shotgun!” I called out, to make her chauffeuring me seem a little cooler), she said, “Well, that was…something.” “Yeah,” I said. (Is this when the kissing begins?!?) She drove me home mostly in silence, except for the Milli Vanilli and Paula Abdul on the radio (this was 1989, remember). When she pulled into my driveway, it was only like 9:45 pm. “Well,” I said, “I guess this is it.” “I guess so,” she said, expectantly. (Oh crap, this is when the kissing begins!) So I went to lean over to her, got jerked back when I realized that my seatbelt was still on, undid my seatbelt, and finally got down to the smoochfest before saying goodbye. I’m sure you’re wondering, how great was the kiss? Do the words “like kissing your sister” mean anything to you? Let’s just say that I made such an impression on her that she dumped me by the time the next weekend rolled around.

Okay! Moving on! Now how about my list of the top films I saw in 2022? Keep in mind, these are the best movies I saw in the calendar year, not necessarily the best ones released last year.

everything-everywhere-all-at-once_nysayfbn_480x.progressive1. “Everything Everywhere All At Once,” 2022 comedy/drama/sci-fi directed by Daniel Kwan and Daniel Scheinert, starring Michelle Yeoh, Stephanie Hsu, Ke Huy Quan, Jamie Lee Curtis, and James Hong. My teenage nephew told me he had seen this film twice and bawled both times, so I took that recommendation. It’s not for everyone; I know some people who though it too over-the-top or hard to follow or too clever for its own good. It hit me at the right time, and the portraits of parents and children struggling to connect with each other resonated with me.

Unknown2. “Don’t Look Up,” 2021 disaster comedy/drama directed by Adam McKay, starring Jennifer Lawrence, Leonardo DiCaprio, Cate Blanchett, Meryl Streep, Jonah Hill, and Timothee Chalamet. Growing up in the 1970s and 1980s, I’ve seen my share of “this is how the world ends” films. This one, about two astronomers (Lawrence and DiCaprio) who become media celebs trying to alert the world to an impending meteor strike on Earth, deftly wove in our current climate of science vs. politics (the film’s title is from the politicians to who tell their followers to ignore the scientists). Thinking about the state of the world we’re leaving future generations, I can’t shake DiCaprio’s character’s line: “We really did have everything, didn’t we?”

Unknown3. “Life of Pi,” 2012 drama directed by Ang Lee, starring Suraj Sharma, Irrfan Khan, Gautam Belur, Tabu, and Vibish Sivakumar. How about some love to Lee, a director who went to the same university as me? Based on the heralded Yann Martel novel, this fantasy (or is it?) of Pi Patel’s travels after a shipwreck with a tiger make the viewer question what reality is, while also highlighting the resilience of people to overcome great tragedy with the stories we tell ourselves to keep ourselves moving forward in a cruel world.

Unknown4. “Glass Onion: A Knives Out Mystery,” 2022 mystery directed by Rian Johnson, starring Daniel Craig, Janelle Monae, Edward Norton, Dave Bautista, Kate Hudson, Madelyn Cline, Leslie Odom Jr, Jessica Henwick, and Kathryn Hahn. Johnson is a master at weaving a tangled web and having one character (Craig’s Benoit Blanc) untangle it one step ahead of us. The elaborate plot all comes back around several times; worth a few viewings.

Unknown5. “The Last Blockbuster,” 2020 documentary directed by Taylor Morden. The title is self-explanatory: the last remaining Blockbuster video store (kids, ask your parents) stands in Bend, OR. This lighthearted film toggles between telling the story of that one store and how it has navigated a changing world and the backstory of what actually happened to put the Blockbuster corporation out of business (it wasn’t just Netflix and the rise of streaming).

Unknown6. “Look Both Ways,” 2022 romance/dramedy directed by Wanuri Kahiu, starring Lili Reinhart, Danny Ramirez, David Corenswet, and Aisha Dee. This “what if” story follows Natalie (Reinhart, of “Riverdale” fame), who, as she graduates from college, lives two parallel lives, one in which she gets pregnant and has to set aside her career dreams to raise her child, and one in which the pregnancy test reads negative. Very “Sliding Doors.”

Unknown7. “Long Story Short,” 2021 romantic comedy directed by Josh Lawson, starring Rafe Spall, Zahra Newman, Ronny Chieng, and Dena Kaplan. This film reminded me of another of my faves of the last few years, “About Time.” Teddy (Spall) has a spell cast on him as his wedding approaches that leads to him only living a few minutes each year for a decade, dropping in on his life and giving him a glimpse of what his future holds. My lovely wife Jen disliked it; I’d say it’s better on a second viewing, once you know where things are headed. (Hint: it’s a romantic comedy, not a black comedy.) One overarching theme in my life has been the shortness of life (Andrew Marvell wrote: “But at my back I always hear time’s winged chariot hurrying near,” and that has haunted me since I read it as a teenager); this is a reminder of that.

Unknown8. “Jexi,” 2019 comedy directed by Jon Lucas and Scott Moore, starring Adam Devine, the voice of Rose Byrne, Alexandra Shipp, Wanda Sykes, and Michael Pena. Devine has great comic timing (see my next pick as well) as Phil, a guy who is addicted to his phone. When he upgrades to a new phone with a talking virtual assistant (Byrne as Lexi), Lexi takes over his life. She stalks him through other devices, orders him healthier food, and generally follows the directive to improve his life how she sees fit. This is like a funny version of “Her,” the film where Joaquin Phoenix falls in love with his operating system voiced by Scarlett Johansson.

Unknown9. “When We First Met,” 2018 romantic comedy directed by Ari Sandel, starring Adam Devine, Alexandria Daddario, Robbie Amell, King Bach, and Shelley Hennig. Bizarre that I liked yet another time-travel film because they are usually not up my alley. Noah (Devine) spends the night with the girl of his dreams (Daddario’s Avery), only to fall into the friend zone. When he accidentally travels back in time through a photo booth, he tries to change his future by altering the events of the night they spent together. Very much a “be careful what you wish for” story.

Unknown10. “Definition Please,” 2020 dramedy directed by Sujata Day, starring Sujata Day, Ritesh Rajan, Lalaine, Jake Choi, and Katrina Bowden. Day writes, directs, and stars in this story of Monica, a former national spelling bee champion whose life is a mess as she must reconnect with her estranged brother to care for her ailing mother. A touching look at mother/daughter and sister/brother bonds, and at the immigrant experience.

Movies that just missed the cut: “The Long Dumb Road,” “Spirited,” “The Lost City,” “Nobody,” “Boys State,” “Lady Chatterly’s Lover,” “I Want You Back.”


The Best Films I Saw in 2021

When I was a sophomore in college, I wanted to impress my then-girlfriend (some of you might know her as my lovely wife Jen) with how “hip” and “literate” and “bohemian” I was. So I took her to see the movie “Henry and June,” which was the first film to ever receive the NC-17 rating. NC-17, or “no one 17 and under admitted,” was created to delineate arthouse films with edgy material from pornographic films, which were X-rated. “Henry and June” was playing at our campustown theater (the Co-Ed), and we walked over there. “You might want to bring your student ID and drivers license,” I told my freshman girlfriend, “you don’t want to be turned away because you’re just barely over the age limit.” Tee hee.

When we got to the ticket booth and I requested two for “Henry and June,” the cashier looked us up and down, slid one ticket to Jen, and said to only me, “Can I see some ID?” “What?!? Why?” I said. He didn’t answer me, but instead turned to Jen while verifying my age on my license, “I can’t be too safe: the guy looks like he’s 12 or something.” Jen got a big kick out of it. I ripped my license and my ticket from his hands and stormed into the theater. “How dare he!” I said. “He thinks I’m a little child? I’m a man!” Admittedly, if there was a “You Must Be This Tall to Enter” sign, I probably wouldn’t have made the cut. And my voice was squeaking while I was whining. And my feet were dangling from the theater seat a few inches from the floor. But come on!

Anyway, this is about my list of the best movies I saw in 2021. Another year of hardly any theater-going (I saw one film in theaters: “Free Guy”). Another low number of total films seen: 65 movies, or 1 every 5.6 days. (Is that low? I keep saying it’s low, but it’s still more than once a week.) I saw a lot of clunkers; this was maybe the hardest year to round up 10 good movies. That’s what happens when you follow the Netflix algorithm: “If you watched this bad film, you might like these three other bad films.” Annual disclaimer: These are not the best films of 2021, just the best ones I saw last year, regardless of when they were released.

Unknown1. “Adult Beginners,” 2014 drama/comedy directed by Ross Katz, starring Rose Byrne, Nick Kroll, Bobby Cannavale, and Joel McHale. This film is a reminder that the movies I love aren’t always the movies the world loves. It absolutely bombed at the box office, but I related to the story of Nick Kroll’s character struggling to find his way in the world, as he loses his job, moves in with his sister (Byrne) and her husband (Cannavale), and becomes the sitter for his 3-year-old nephew. Comedy/drama gold. Plus, any movie that finds a role for the quirky actor Bobby Moynihan is a bonus.

Unknown2. “The Beatles: Get Back,” 2021 documentary directed by Peter Jackson, starring four musicians you might recall. Does this count as a movie? A three-part, 468-minute piecing-together of the original documentary that was made for the “Let It Be” album sessions, Jackson does a masterful job telling the story of the Beatles, both in the whole series and in the opening 3-minute clip of the first part (it reminded me of the scene from Pixar’s “Up,” where the story of the couple is told without words in a montage). I can say a lot about this, but I will keep it to these two things: 1. I thought I knew everything about the Beatles and their breakup, but this had some surprises and refutations of what we thought we knew, and 2. it displayed the slow, sometimes mundane, sometimes funny, sometimes fruitless creative process of four regular guys who happened to catch lightning in a bottle with nearly every song they made for 8 years straight.

Unknown3. “Love Wedding Repeat,” 2020 romantic comedy directed by Dean Craig, starring Olivia Munn, Sam Claflin, Eleanor Tomlinson, and Allan Mustafa. This Netflix film had charm, humor, eccentric characters, and (of course) a budding romance all centered around the (mostly British) friends attending a wedding in Italy. Munn is underrated as a comic actress, and Claflin appears in two films on my list. Honestly, it could have been straightforward film told chronologically and I would have liked it, but then it pulled a “Sliding Doors”/”About Time”-esque time jump. Still good.

Unknown4. “True Grit,” 2010 Western directed by Joel and Ethan Coen, starring Jeff Bridges, Hailee Steinfeld, Matt Damon, and Josh Brolin. A much better film than the original 1969 version with John Wayne, this one is more sober while also being truer to the humor-filled novel by Charles Portis. Steinfeld was 13 during the filming, and she pulls off the independent Mattie Ross, seeking justice for her father’s killer. Bridges as Marshall Rooster Cogburn and Damon as Texas Ranger LeBoeuf make for an odd couple as they hunt down the killer for their own separate, selfish reasons.

Unknown5. “Beastie Boys Story,” 2020 documentary directed by Spike Jonze, starring Michael Diamond and Adam Horovitz. You don’t have to be a Beastie Boys fan to understand this film, but it sure helps. Diamond and Horovitz wrote a book about their time in the rap trio (much of the film and book are devoted to praising the other member, the late Adam Yauch). They turned it into a multimedia stage performance, and Jonze filmed it. Funny, more emotion-filled than you would think, and worth it just for the story of the time they toured as the opening act for Madonna.

Unknown6. “Enola Holmes,” 2020 mystery/adventure directed by Harry Bradbeer, starring Millie Bobby Brown, Henry Cavill, Helena Bonham Carter, and Sam Claflin. I’ve read books and seen films that offer twists on the Sherlock Holmes canon, and this one is fun: Brown plays the title character, the young sister of Sherlock (Cavill) and Mycroft (Claflin), who was raised wild by their suddenly disappeared mother (Carter). Her first mystery is to follow the clues left behind; her brothers’ job is to step in and provide adult supervision for their abandoned sibling. This felt like a setup for at least a trilogy.

Unknown7. “I Used to Go Here,” 2020 comedy/drama directed by Kris Rey, starring Gillian Jacobs, Josh Wiggins, Hannah Marks, Jorma Taccone, Zoe Chao, and Jemaine Clement. Rey previously directed “Unexpected” and used to co-write movies with her ex, Joe Swanberg. This personal film is about Kate Conklin (Jacobs), a writer whose first novel tanked but is invited back to her alma mater (Southern Illinois University) by her former mentor (Clement, always funny). The brief visit turns into a longer stay, including hanging with the college students living in her former house on campus. A slow burner and a fantasy of what it would be like to relive the college experience.

Unknown8. “Standing Up, Falling Down,” 2019 comedy/drama directed by Matt Ratner, starring Ben Schwartz, Eloise Mumford, Billy Crystal, and Grace Gummer. Want to see a film in which Crystal plays a deadbeat dad to his adult kids and a pothead dermatologist? Did not see this one coming. Schwartz, a great improv actor, holds his own in this pairing as a stand-up comic forced to move back in with his parents on Long Island; a chance encounter with Crystal’s character leads to a chance for Crystal to be a better mentor to a stranger than to his own kids. Funny and sad.

Unknown9. “The Way Back,” 2020 drama directed by Gavin O’Connor, starring Ben Affleck, Al Madrigal, Michaela Watkins, and Janina Gavankar. Oh man. This sports drama had every opportunity to take the easy cliches and run with them, but it pulls no punches. Affleck portrays Jack Cunningham, a local basketball legend who takes the coaching job at his former high school. There are some backstory issues: his alcoholism, his difficult upbringing, his failed marriage and family. While we watch him deal with the fallout from his own problems, we see him make a group of young men believe in themselves. This film doesn’t take the obvious path; don’t expect “High School Musical.”

Unknown10. “Ghost Team,” 2016 comedy directed by Oliver Irving, starring Jon Heder, David Krumholtz, Amy Sedaris, Justin Long, Paul Downs, and Melonie Diaz. This goofy film follows a group of amateur ghost hunters who believe an abandoned farmhouse in the middle of the woods is haunted, so they decide to spend the night filming any supernatural occurrences. A parody of the long-running reality TV show “Ghost Hunters,” with Heder (“Napoleon Dynamite”) and Sedaris leading the way.

Movies that just missed the cut: “Already Tomorrow in Hong Kong,” “Opening Night,” “Emma.,” “Literally, Right Before Aaron,” “Palmer,” “Comet.”

The Best Films I Saw in 2018

It’s Oscars weekend, so time once again for my list of the best movies I saw in the previous year. (Annual disclaimer: This isn’t a list of the best movies of 2018, but a roundup of the best films I saw, no matter what year they were released.) I saw 66 films in 2018, an average of 1 every 5.5 days. I’ve noticed a pattern over the last few years: I watch a lot of movies in the early months of the year, then I slow down in the summer months (kids are out of school, I’m doing yard work, a seasonal job that takes up my time), then it picks up in the fall. One exception is that my viewings spike in the 2 weeks after a marathon, when I am in recovery mode. (And by “recovery mode,” I mean “sitting on a couch and eating from a bag of chocolate chips.”)

Anyway, the films (Sorry, there’s 11, not 10. Also, because of a tie, there’s 12, not 11.):

Unknown11. “Everything, Everything,” 2017 teen drama directed by Stella Meghie, starring Amandla Stenberg and Nick Robinson. The first of three movies based on a young-adult novel (also one of two starring Nick Robinson, see below), this film is about teenager Maddy, who has an immune disorder that leads her physician mother to quarantine her in their house, for fear that contact with the outside world will kill her. She develops a texting relationship with Olly, a new neighbor boy, and we see how far she is willing to risk her health to explore this friendship.

Unknown10. “Minimalism: A Documentary About the Important Things,” 2015 documentary directed by Matt D’Avella. This film could change your life, if you are open to it. It’s about compulsory consumption and why we (Americans, Westerners in general) are driven to buy things we don’t need. Specifically, we see two guys called The Minimalists, who have a podcast and have written books, talk about how to refocus your life on what is important (hint: it’s not the stuff you own).

Unknown9. “Nowhere Boy,” 2009 biographical drama directed by Sam Taylor-Wood, starring Aaron Johnson, Kristin Scott Thomas, and Anne-Marie Duff. This story is loosely based on the early years of John Lennon, pre-Beatles fame. Although we see him meeting schoolmates Paul McCartney and George Harrison for the first time, it’s more focused on his messed-up family life (i.e., absent father, unreliable mother, strict aunt who acts as his guardian). You don’t have to be a Beatles fan to appreciate this film.

Unknown8. “Wonder,” 2017 comedy/drama directed by Stephen Chbosky, starring Julia Roberts, Owen Wilson, and Jacob Tremblay. This touching film (another based on a young-adult novel) is about Auggie, a boy with a rare facial deformity that has required 27 surgeries, who is about to enroll in a school after years of being homeschooled by his mom. It’s that rare film that you can see with your whole family and everyone will get something out of it. It deals with bullying, accepting people for who they are, parents struggling to let their children grow up, and confronting our fears. Stellar supporting cast, particularly Mandy Patinkin as the school principal and Daveed Diggs as the teacher.

Unknown7. “Ai Weiwei: Never Sorry,” 2012 documentary directed by Alison Klayman. A great film about the Chinese artist, architect, and activist Ai Weiwei and the increasing hostility he faces from the Chinese government, as he is harassed, beaten, surveilled, and eventually arrested, all while his brand-new art studio is razed by Chinese authorities. What were his crimes, other than artistic provocation? Printing on his website the names of all 5,000 children who died in an earthquake in Sichuan, a disaster that the Chinese government had hoped to cover up. Inspiring story about true bravery.

Unknown6. Tie: “I Am Your Father,” 2015 documentary directed by Marcos Cabota and Toni Bestard; and “Elstree 1976,” 2015 documentary directed by John Spira. These movies go together. They are definitely for the Star Wars fans among us. One focuses on the filming of the original “Star Wars,” at Elstree Studios in London in 1976, and captures the indie feel that the film had before it became a worldwide success. More specifically, it follows Unknownextras and ancillary support crew, who had no idea what they were signing on for. Similarly, “I Am Your Father” is about actor David Prowse, a fascinating former world-champion bodybuilder who portrayed Darth Vader in the original trilogy, and his falling out with George Lucas over the making of the movies. Essentially, he’s been persona non grata to the Lucasfilm folks ever since, and the directors would argue unjustifiably. If you saw “Solo: A Star Wars Story” and were disappointed (I liked it, but I’m sure you’re getting tired of seeing these movies on my best-of lists), you might want to check these out.

Unknown5. “Crazy Rich Asians,” 2018 comedy/drama directed by John Chu, starring Henry Golding, Constance Wu, Awkwafina, and a large ensemble cast. This was the “La La Land” of the year for me: a film that I heard so much about that I didn’t think it would live up to the hype. Well, I was charmed. It was funny, romance-filled, gorgeously filmed, and hit all the right notes on family and obligations in the face of love. One downside for me was that there were so many characters that we didn’t get to spend time with some people I would have liked to see more screen time of.

images4. “Spider-Man: Into the Spider-verse,” 2018 animated sci-fi directed by Peter Ramsey, Bob Persichetti, and Rodney Rothman, featuring the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Nicolas Cage, John Mulaney, and many others. This isn’t your typical cartoon. Not sure where to begin with the plot: Miles Morales gets bitten by a radioactive spider and becomes Spider-Man. Wait, I thought Peter Parker was Spider-Man. It turns out this is in an alternate universe, and when the bad guy (Kingpin, voiced by Liev Schreiber) creates a machine that rips open the fabric of the universe…okay, I’m losing the plot thread here. Just know that there are several Spider-Mans (and girls, and, um, pigs) from different universes involved. Visually amazing; I felt as if we were watching 1970s-era NYC graffiti come to life.

Unknown3. “Get Out,” 2017 satirical horror directed by Jordan Peele, starring Daniel Kaluuya, Alison Williams, Lil Rel Howery, Bradley Whitford, and Catherine Keener. Oh man, what hasn’t been said about this movie? I’m not a fan of horror movies, so I was surprised that this one got to me. While there were some horror-movie tropes (jump scares, bloody violence, “wait, didn’t he kill that guy already?,” things like that), the psychological suspense and cultural commentary parts were strong. This one will stay with you for a while afterward.

Unknown2. “The Meyerowitz Stories (New and Selected),” 2017 comedy/drama directed by Noah Baumbach, starring Ben Stiller, Dustin Hoffman, Adam Sandler, and Elizabeth Marvel. I’m a fan of Baumbach’s movies. Stiller, Sandler, and Marvel play siblings dealing with their aging father, the not-quite-respected artist and retired professor Harold Meyerowitz, played with aplomb by Hoffman. Stiller is the successful son, and Sandler (in his best dramatic role since “Funny People”) is the sad-sack who can’t seem to please his dad or live up to this father’s wishes, while dealing with his college daughter (Grace Van Patten). As with most Baumbach films, I’d describe it as painfully funny.

Unknown1. “Love, Simon,” 2018 romantic comedy/drama directed by Greg Berlanti, starring Nick Robinson, Jennifer Garner, Josh Duhamel, Alexandra Shipp, and Katherine Langford. The third movie adapted from a YA novel on my list, this one is sweet and uplifting. Simon is a teenager who starts an online relationship with another boy. A third boy finds out about the relationship and blackmails Simon into helping him get a date with a female friend of theirs, for fear of outing Simon. I thought of the John Hughes movies of the 1980s, and not because of the topics, but the “of its times” feel of the film. Example: the high schoolers swing by Starbucks to get coffee drinks on their way to school everyday. Another example: Well-meaning, loving adults who support but can’t really solve problems they don’t understand, specifically Garner and Duhamel as Simon’s parents and Tony Hale as the trying-to-be-hip vice principal.

Movies that just missed the cut: “Brad’s Status,” “Jeff Who Lives At Home,” “Solo: A Star Wars Movie,” “Game Over, Man,” Springsteen On Broadway.”

The Best Films I Saw In 2017

Faithful blog readers! It’s time once again for my list of the best movies I saw in 2017! Why am I yelling?! Just a reminder: These are not the best films released last year. These are the best movies I saw in the last calendar year, whether they were new or old. I saw 72 movies in 2017, or 1 every 5.1 days. I have mentioned in past posts that I screen movies for my lovely wife Jen. See, she has a real job. And a life. I sit through hours of bad filmdom so she doesn’t have to. (When she catches me sitting on the couch munching on dark chocolate M&Ms and watching “Ted 2” at 1:30 on a Tuesday afternoon, I tell her, “But honey, I’m doing this for you!”)


I put this photo here to get Jen to read my blog post.

Actually, I found out that I’ve failed Jen in one crucial aspect this year: I thought I was doing a good job of weeding out the bad films from her life, but one day we were having a casual discussion about the movie “Baywatch.” I was telling her that, other than Zac Efron’s and Dwayne Johnson’s ripped bodies, she didn’t miss much. She said, “Hold up. You are hiding another shirtless Zac Efron movie from me? This is like the fourth one this year! And in most of them, you said he gets fully naked!” (For the record, in the past 2 years, I’ve seen 5 naked-or-nearly-naked Zac Efron films: “Neighbors 2,” “Dirty Grandpa,” “Baywatch,” “That Awkward Moment,” and “Mike and Dave Need Wedding Dates.”) I hadn’t been keeping track, but apparently, she was. So I have learned my lesson: the wife would appreciate a little Troy Bolton with his shirt off. But who wouldn’t, if we’re being honest?

Anyway, the list (sorry Jen, no Zac Efron to be seen in these films):

139ba3eecd2df4d6fa438634bb3e50fadbdc845310. “The Incredible Jessica James,” 2017 romantic comedy directed by Jim Strouse starring Jessica Williams and Chris O’Dowd. Funny, surprising, sarcasm-laced film about a woman coming out of a bad breakup who reluctantly agrees to go on a date with a guy getting over a bad divorce, and the fits and stops their friendship takes. Williams (“People Places Things,” incidentally my favorite film from 2016) runs this flick; when O’Dowd (you’d recognize him as the cop/love interest in “Bridesmaids”) tells her character, “I really like you,” she responds, “Of course you do, everyone does, I’m freaking dope.”

Unknown9. “Tony Robbins: I Am Not Your Guru,” 2016 documentary directed by Joe Berlinger starring Tony Robbins. If you’ve ever seen infomercial star/entrepreneur/life coach Anthony Robbins and thought, Who is that giant man with the self-confidence to match his height? (He is 6’7″), this movie is for you. It follows one of Robbins’ “Date With Destiny” 5-day seminars in Boca Raton, FL, where people shell out $5000-plus to learn how they are screwing up their lives and what they can do to fix it. He is brutal, honest, and to the point. Does this come off as a drink-the-Kool-Aid promotional video? At times. But he is very open about his own shortcomings, and it’s fascinating to see someone explain how they got their sh*t together and turned their life around, and to watch others try to do the same. It’s quite emotionally deep, actually.

Unknown8. “The King’s Speech,” 2010 historical drama directed by Tom Hooper starring Colin Firth, Geoffrey Rush, and Helena Bonham Carter. The story of King George VI’s unexpected ascension to the throne, his struggles with stuttering (and self-confidence; he should have talked with Tony Robbins), and the speech therapist whose unorthodox methods helped him overcome so much in his life. This deservedly won Oscars for Best Picture, Best Original Screenplay (David Seidler), Best Director (Hooper), and Best Actor (Firth).

Unknown7. “Captain Fantastic,” 2016 drama directed by Matt Ross starring Viggo Mortensen, George MacKay, and Samantha Isler. Heartbreaking film about a guy struggling to raise his children away from the civilized world after the death of his wife. The trailer made it look more like a comedy; don’t be fooled. Very thought-provoking; watching him butt heads with his in-laws about his wife’s wishes for her burial versus what societal norms would require is tough.

Unknown6. “Don’t Think Twice,” 2016 comedy/drama directed by Mike Birbiglia starring Gillian Jacobs, Keegan-Michael Key, Mike Birbiglia, Kate Micucci, Tami Sagher, and Chris Gethard. When does a person give up on their dreams? What if one of their best friends is better than them at something? And how much do we owe our mentors for our successes? This movie follows an improv ensemble as they struggle to pay the bills; when a few of them get a tryout at a “Saturday Night Live”-type variety show, the reactions of the individual members of the group threaten not just their careers but their friendships. Very funny and poignant.

MV5BNzg1MzQyMjI4Nl5BMl5BanBnXkFtZTgwMDMzNzQyNjE@._V1_SY1000_CR0,0,674,1000_AL_5. “She’s Funny That Way,” 2014 comedy directed by Peter Bogdanovich starring Imogen Poots, Owen Wilson, Kathryn Hahn, Jennifer Aniston, Will Forte, and Rhys Ifans. This movie was fun. At times it approached farce; like the plays “Noises Off,”  “What the Butler Saw,” or “You Never Can Tell,” this movie has love triangles, doors opening and closing while people try to hide their trysts from their partners, and great comic timing. Ifans plays a director whose latest play is upended by the addition of a call girl-turned-actress (Poots).

BREAK FOR ANNUAL STAR WARS MOVIE: I feel as if there should be a special place on my list for all of the Star Wars films that Disney will be releasing annually for the next decade. Last year’s “The Last Jedi” should be on my list, but let’s just assume that I’m going to like it (I did) because I have a blind spot for Star Wars movies and thus am incapable of objective criticism. Moving on:

Unknown4. “La La Land,” 2016 musical comedy/drama directed by Damien Chazelle starring Ryan Gosling, Emma Stone, and John Legend. There’s always a movie that receives universal praise that I want to dislike. I thought I wouldn’t like this one. A musical? About Hollywood? Where a white guy saves jazz? And did I mention it’s a musical? But I liked it. Gosling and Stone have chemistry, and they make us want to see where they are going. I don’t want to give anything away, but there’s a scene at the end of the movie, no talking, just music and pictures, and it reminds me of the scene in the Disney film “Up” when the old man is thinking about his long relationship with his wife, and…well, you have to see it.

Unknown3. “The Fundamentals of Caring,” 2016 comedy/drama directed by Rob Burnett starring Craig Roberts, Paul Rudd, Jennifer Ehle, and Selena Gomez. Rudd plays a struggling writer going through a divorce and trying to get into a new career as a home-health caregiver. He gets hired to take care of a young man (Roberts) who is wheelchair-bound. Turns out the kid’s a smartass (picture Bubble Boy in that episode of “Seinfeld;” he’s pissed that everyone wants to feel sorry for him, so he acts like a jerk). The two guys decide to take a road trip and pick up a few stragglers along the way, including Gomez, who is a wonderful surprise in this film. A very funny and very touching movie; you will laugh and you will cry (unless you’re an unfeeling jerk).

Unknown2. “The Edge of Seventeen,” 2016 comedy/drama directed by Kelly Fremon Craig starring Hailee Steinfeld, Haley Lu Richardson, Blake Jenner, Kyra Sedgwick, and Woody Harrelson. My God, are all of my favorite movies comedy/dramas? Yes. This hilarious coming-of-age film follows a girl (Steinfeld) whose high-school problems are compounded by the fact that her best friend is now dating her older brother. Her closest confidante is an English teacher (Harrelson) who can barely tolerate her. It reminded me of “Juno.”

Unknown1. “The Big Sick,” 2017 comedy/drama directed by Michael Showalter starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, and Ray Romano. This is really three movies in one: a comic romance between Nanjiani’s and Kazan’s characters, a drama about a health scare, and a relationship film between them and each of their parents. Hunter is great, and Romano is way more understated than I expected. Nanjiani, who co-wrote the movie with his wife, carries the film; if you have seen him, it’s probably from “Silicon Valley” or his frequent minor roles in “Portlandia.” This film is like “While You Were Sleeping” if Sandra Bullock was an Uber-driving son of Pakistani immigrant parents who were trying to arrange a marriage for her/him. I feel like I lost the thread there somewhere.

Movies that just missed the cut: “The Last 5 Years,” “Song One,” “Scott Pilgrim Versus the World,” “Bad Moms,” “Hello My Name Is Doris,” “Starter for 10,” “The Martian,” “Good Night and Good Luck,” “Other People,” “Table 19,” “American Teen.”

My Oscar Acceptance Speech

Wow. I’m as stunned as all of you are to have heard my name called tonight. I did not expect to win this Oscar, especially since, until a few months ago, I wasn’t even aware that a person could be nominated for Best Adapted Screenplay for a movie based on a blog post. But I’ll take it.


“You like me! You really like me!”

I guess I should take a moment to thank my business partner, mostly because of the lawsuit: part of the agreement was I mention him in any potential acceptance speech. So, this one goes out to my former friend and mentor, or as I like to call him, “Plaintiff.” I’d also like to give a special shout-out to the little people, and by “little people,” I mean anyone 5 feet 3 inches or shorter; thank you for making me feel tall.

In all seriousness, a lot of hard work went into the making of this film. I am humbled to have worked with such a great director and cast and crew and production team; I’d like to give most of the credit to them for bringing my words to life. I’d like to, but I can’t because, let’s be honest, without my script, this movie would have been nothing. Hence, me standing here holding this statuette and them all sitting at home cheering me on. So, thanks for your minor contributions.

I have to believe that my late mom is looking down on me and smiling. She was such a big part of my success; I can still hear her speaking the words that motivated me to get to where I am today: “Sweetie, don’t listen to what your teachers and the social worker and the school administrators say: You can be anything you want when you grow up. As long as it doesn’t involve being tall, or particularly good-looking, or especially intelligent, or having the ability to work with your hands, or playing well with others.” I knew then and there that I was going to be a writer!

I know, too, that my dad is looking down on me. He’s not dead; he just disapproves of my life choices. Dad, this one’s for you; you warned me that when I went to Hollywood, it would be filled with a bunch of whiny, narcissistic, ego-inflated, body-obsessed liberal wackos who spent their days puffing each other up in useless meetings and their nights at drug-fueled orgies in the Hollywood Hills. Well, Dad, you were right: it was everything you promised and more! Thanks for cutting me off financially; that really forced me to find my way in the world (and, unanticipated bonus, to find cheaper pot suppliers).

One of the greatest pieces of advice I got when I first starting working on screenplays came from two previous Oscar winners, Ben Affleck and Matt Damon. They told me, “Write what you know.” I’m paraphrasing from their legal filing; it was more along the lines of, “Whereas we find Mr. Dudley’s screenplay to have undeniable similarities to our own work,” etcetera. Boy, did I learn the hard way to write what I know. I suppose in hindsight I shouldn’t have named my first attempt at a screenplay “Good Will Hunting 2.” But that’s all been settled in the courts, and now I hold no grudges against Ben and Matt, who are both in the audience tonight. However, I would like to kindly suggest that they drop the order of protection requiring me to stay 50 feet away from each of them at all times; that’s why my seats were in the balcony and I had to find an alternative access to the stage from the backstage area when my name was called. (I’m also trying to figure a way to triangulate our paths through the Vanity Fair Oscar party, but I’ll cross that red carpet-covered bridge when I get there.)

Did I thank my agent yet? No? I owe a lot to her. (Twenty-five percent, actually; she told me that was the standard rate.) She had all the connections and taught me which parties to attend, which studio heads to schmooze, and, most importantly, which producers to sleep with. (As an aside to my wife: Just kidding, honey! And as an aside to certain producers: Not really; those two and/or three nights we spent together were some of the most memorable drug-fueled times of my life!)

I see that someone in back is giving me the “wrap it up” signal. Either that or they’re telling me that they are going to slit my throat when I step off the stage. Wait, is that Affleck? Aw, Ben, you’re a card! Always joking! Anyway, I would be a heel and a cad if I didn’t mention my lovely wife Jen. Jen, my darling, this is all possible because of you, in so many ways. First of all, the movie is named “My Lovely Wife Jen,” so there are some obvious real-life comparisons. I was particularly pleased when the casting director got Jennifer Lawrence and Jennifer Aniston to play you in different stages of your life, although I didn’t realize how powerful a player Aniston was until I found out she was playing the young “you” and Lawrence was forced to play the mature “you.” Also, Jen (my Jen, not the other Jens), thanks for always supporting me when things looked bleak. I’m talking about the financial support, because there were times when your emotional support was frankly a little lacking. I mean, how many times can a guy be criticized for not having a real, actual job and not getting changed out of his sweatpants all day (and, in one particularly low stretch, not doing anything but watching Seasons 1 through 4 of “thirtysomething” on repeat for 6 months straight while eating pork and beans on the couch) before it starts to affect his self-confidence? But we worked through all that, and I just want to say that everything I earn from this movie goes to you. That is, everything after paying my lawyers and Affleck and Damon and my former business partner and my agent. Everything after that, I mean.